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Unique Notes: 16 - 20
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Opera
The Naval Battle
CelticRose
0:14 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn Treble 7 0 2 2 75%
Treble 7 0 2 2 75%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn Treble 7 0 2 2 75%
Treble 7 0 2 2 75%
Treble 7 0 2 2 75%
Treble 7 0 2 2 75%
B
Trumpet		 Treble 6 0 2 2 50%
Treble 6 0 2 2 50%
Double
Basses		 Bass 3 0 1 1 50%
Flute Treble 17 0 4 2 50%
Piccolo Treble 17 0 4 2 50%
Timpani Bass 1 0 0 2 50%
Violas 3 0 1 1 50%
Violins
1		 Treble 17 0 4 2 50%
Violins
2		 Treble 17 0 4 2 50%
Violoncellos Bass 3 0 1 1 50%
F
Tuba		 Bass 4 0 2 2 25%
Oboe Treble 3 0 1 1 25%
 
HWV7A3N3b - "Andante, o forti" in G Major
edward.maurath
0:40 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
Basso Continuo Bass 17 0 6 7 100%
Violoncello Bass 17 0 6 7 100%
Contrabass Bass 16 0 6 7 97%
Violins Treble 19 0 6 7 97%
Mago
as bass		 Bass 12 0 3 7 75%
Viola 7 0 3 5 15%
 
Dido and Æneas, No.35: Chorus - Great minds against themselves conspire
Voorburgs Operakoor
0:52 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 34 4 6 100%
Bass 22 14 3 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 34 4 6 100%
Bass 22 14 3 4 100%
A Treble 9 0 1 5 76%
S Treble 11 0 3 6 76%
T Treble 8 0 1 5 76%
B Bass 12 0 1 7 71%
Dido Treble 6 0 0 5 24%
 
HWV5A2N11 - "Mà Rodrigo"
edward.maurath
0:52 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
Bass 18 17 4 3 88%
Violoncello (Continuo) Bass 9 0 2 3 88%
Cembalo (Continuo) Treble 3 0 0 1 31%
Bass 15 9 2 3 44%
 
HWV8A2N12 - "Dorinda, ove hai tu poste le tue speranze?" (1712)
edward.maurath
0:49 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
Alto 10 0 4 3 100%
Violoncello Bass 6 0 1 3 100%
 
guarda un po', come seppe...
FranckM.
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavecin Bass 15 10 3 3 100%
Vx Bass 16 0 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavecin Bass 15 10 3 3 100%
Vx Bass 16 0 3 3 100%
 
HWV8A2N12a - "Non me fuggir, crudele" (Dorinda)
edward.maurath
0:33 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
Violoncello Bass 4 0 0 3 100%
Alto 9 0 2 3 86%
 
TRAVIATA de Verdi : Chœurs Partie 10/10 Baccanale
Papibois
0:48 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 11 5 6 89%
Bass 18 8 2 4 86%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 11 5 6 89%
Bass 18 8 2 4 86%
Bass Bass 11 1 2 5 100%
Soprano
1		 Treble 14 0 2 5 100%
Soprano
2		 Treble 13 0 3 5 100%
Tenor
1		 Treble 14 0 2 5 100%
Tenor
2		 Treble 13 0 3 5 100%
 
HWV8A1N1 -"Ah! nò, sia pur pietosa" (Mertillo)
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
Mystic Opera
Kenichi Kitsune The Composer
0:42 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Double
Bass		 Bass 7 0 2 3 100%
Viola 18 0 5 2 100%
Violin Treble 19 0 5 2 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Double
Bass		 Bass 7 0 2 3 100%
Viola 18 0 5 2 100%
Violin Treble 19 0 5 2 97%